Making it in Today’s Brave New Creative World
So, where is the writer’s place in today’s marketplace? How does one make a decent living these days spinning words? Advertising copywriters are the top of the financial food chain. Journalists and academicians are paid paltry wages in comparison. Trade writers are the bottom feeders. Yet, there is a fine line between the skill sets of trade scribes and ad copywriters. And the line is getting grayer. So how does today’s writer distinguish him or herself from a lowly tradie or newspaperman?
Well, to get to these answers we should first look at how copywriting has changed. In the 20 years that I’ve recruited writers — I’ve noticed a gradual erosion of the craft (that’s not new news). But, that erosion is more likely the result of adaptation than decay. Media has changed. EVERYTHING is media, therefore I guess everything has changed. But mostly, writing itself has changed because READING has changed. The craft adapted to the practice. I went to a Barnes & Noble recently. I depressingly felt like I was in the new Blockbuster Video retail environment. I couldn’t escape two striking observations:
- Coffee table books ruled. And they were mostly heavily discounted.
- Books for Dummies has grown out of control, like some literary form of kudzu.
Okay, how does that affect a person with a copywriting career? Professional copywriting has always rewarded versatility. We assume the pro can crank out headlines. Those are table stakes. He (or she) masters body copy that sells (sure thing) by making it interesting. Penning the 7-word billboard joke — they’re comedians. And only now, have we crossed the Mendoza line.
The real hitters today pound out compelling and alarming tweets. They write engaging and entertaining online content. The new visual format is the 15 or 20-second online spot — it’s like “TV Lite”. They can write natural and human dialogue that works in a television script. And above and beyond all, they can conceive a campaign that amazes from a single, simple idea. That’s a lot to ask. But, that’s why they make the big bucks. Those folks could have been nationally-syndicated columnists if they chose journalism as their professional writing career, or dramatists. They are the George Wills and David Mamets of our industry.
So, it is the Big Idea that remains the Holy Grail for writers. Big Ideas are simple. Multi-lingual. Cross-cultural. Timeless, yet “new” (not always in a contemporary way, but always in a fresh way). They hold a mirror up to society (or a targeted segment of it) in a way that reveals an unexpected truth. Yet, it cannot be too unfamiliar. Simple. Yet, not too simple. Specific, yet broadly interpreted. Open-ended.
Who is this era’s Mr. Clean? Is it The Most Interesting Man in the World? The Brawny Man? Or a Subservient Chicken (that would be you, Mr. Hotshot Writer)? Send me your votes. Please excuse me while I seek recluse to tend to writing my Great American Book for Dummies: Life for Dummies. It’s a Cautionary Tale-Coming of Age-Allegory-Epic-spanning-four generations of a Sicilian/American family confronting the moral battleground of good vs. evil. It also contains a recipe for great ziti.